OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 17 shown for “Section of a Diptych in Linga Form, Interior Depicting Shiva, Parvati, and the Calf Bull” — 45 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-27 12:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Section of a Diptych in Linga Form, Interior Depicting Shiva, Parvati, and the Calf Bull
Artist not stated in the record · 7th century
Shiva and Parvati on a tiger skin: Anakūl Nayaka folio from a Rasamanjari
Attributed to Golu, son of Devidasa · ca. 1710 - ca. 1715
Section of a Diptych in Linga Form, Interior Depicting Shiva and Parvati
Artist not stated in the record · 7th century
Sadashiva worshipped by Parvati
Attributed to Devidasa (Indian, active 1690-1695) · ca. 1690
Section of a Diptych in Linga Form, Interior Depicting Parvati, the Consort of Shiva
Artist not stated in the record · 6th–7th century
Interior Detail of the Teatro Vaccai, Telentino
Giuseppe Lucatelli, Italian, 1751 – 1828 · 1790
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Coupe d’un batiment de trois toises de face, prise sur la longueur
A. Le Canu, French, active 1746 – 1768 · ca. 1762
Section of a Diptych in Linga Form, Interior Depicting the Face of Shiva
Artist not stated in the record · 6th–7th century
Coupe d’un batiment de quatre toises de face, prise sur la longueur
A. Le Canu, French, active 1746 – 1768 · ca. 1762
Grand Trumeau de la Galerie d’Apollon.
Jean Bérain the Younger, French, 1674 – 1726 · 1710
Fur coat worn by Max Julien as Goldie in the film The Mack
Artist not stated in the record · 1973
Evening coat from the collection of Lucy Cordice
Unidentified · 1870-1900
Prosthetic leg worn by Carl Brashear
Artist not stated in the record · after 1966
Icon
Ethiopian Orthodox · 15th-16th century
Title Page
Nicolas Guérard, French, ca.1648 – 1719 · 1715-19
Peach dress and belt worn by Oprah Winfrey on The Oprah Winfrey Show
L'Wren Scott, American, 1964 - 2014 · 2011
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5 matched · 5 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.5 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483888 matched · 40 examined · 14 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 12:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.