Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Sedgfield's English Scenery” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-28 06:57 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.![[Group of 17 Early Stereograph Views of British Churches], by Sedgfield's English Scenery](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP72918.jpg&w=3840&q=75)
[Group of 17 Early Stereograph Views of British Churches]
Sedgfield's English Scenery · 1850s–1910s

Optical Toy: "Temple Bar by Moonlight" (Morgan's Improved Protean Scenery, no. 10)
William Morgan, English, active 19th c. · 1838

Autumnal Sunset
David Lucas · 1830
"American Cities A.D. Scenery. City Hall New York"
Old Hall Works, English, 1835–1849 · mid-19th century

Autumnal Sunset
David Lucas · 1830

Composition Suggested by Scenery between Pasto, Colombia, and Quito, Ecuador
Frederic Edwin Church, American, 1826–1900 · August 26, 1853

Autumnal Sunset
David Lucas · 1830

Title Page, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

Autumnal Sunset
David Lucas · 1831

Ruins at Cannouge, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

Autumnal Sunset
David Lucas · 1831

Part of the Black Town, Madras, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record

Hampstead Heath with St. Paul's in the Distance: Vignette
David Lucas · 1831

Part of the Kanaree Caves, Salsette, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record

Spring
David Lucas · 1829–30

Title Page, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

Hampstead Heath
David Lucas · 1829

Mausoleum of Sultan Purveiz, Near Allahabad, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

Summer Morning
David Lucas · 1831

An Antient Hindoo Temple, In the Fort of Rotas, Bahar, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

Old Sarum
David Lucas · 1830

The Mausoleum of Mucdoom Shah Dowlut, At Moneah, On the River Soane, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803

River Stour
David Lucas · 1830–31

Interior View of the Palace, Madura, from "Oriental Scenery: Twenty Four Views in Hindoostan"
Artist not stated in the record · 1795-1803
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 140 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 6188 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 06:57 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.