OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Sepulchral Monument of James III (1688-1766)” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-04 01:18 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Saint James the Greater
Gil de Siloe · 1489–93
Sepulchral Monument of James III (1688-1766)
Artist not stated in the record · 1788–1793
Hermann von Wedigh III (died 1560)
Hans Holbein the Younger · 1532
Sepulchral Monument of James III and Henry Cardinal York
Artist not stated in the record · ca. 1818
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Sepulchral Monument of the Three Last Stuarts
Artist not stated in the record · 1788–1793
Virgin and Child with Saints Catherine of Alexandria and Barbara
Hans Memling · early 1480s
Sepulchral Monument of the Last Three Stuarts
Artist not stated in the record · 1788–1793
Virgil's Tomb by Moonlight, with Silius Italicus Declaiming
Joseph Wright (Wright of Derby) · 1779
Sepulchral Monument of the Last Three Stuarts
Artist not stated in the record · 1788–1793
Saint James the Great
Artist not stated in the record · ca. 1231
Portrait of James Stuart, The Prince of Great Britain &c
Artist not stated in the record · ca. 1688
Head of King David
Artist not stated in the record · ca. 1145
Sepulchral Monument of the last three Stuarts
Artist not stated in the record · 1788–1793
Column Statue of a King
Artist not stated in the record · ca. 1150–60
Sepulchral Chamber
Artist not stated in the record · ca. 1800
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers · 1405–1408/1409
Sepulchral Monument Design
D. Antoine Pierretz, French, active 1647 · 1647-55
Tomb of Ermengol VII, Count of Urgell
Artist not stated in the record · ca. 1300–1350
Sepulchral Monument
Mauro Antonio Tesi, Italian, 1730 - 1766 · ca. 1760
One Hundred Horses
Artist not stated in the record · datable to 1723–25
Sepulchral (Funerary) Monument Design
D. Antoine Pierretz, French, active 1647 · 1647-55
The Annunciation
Hans Memling · ca. 1465–70
Sepulchral monuments
Giuseppe Barberi, Italian, 1746–1809 · ca. 1795
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 80 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2911965 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 01:18 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.