OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Seven Scenes from the Story of the Seven Sacraments, Namaan Being Cleansed in the Jordan” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-27 08:09 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Seven Scenes from the Story of the Seven Sacraments, Namaan Being Cleansed in the Jordan
Artist not stated in the record · ca. 1435–50
Print, Seven Famous Cartoons of Raphael
Artist not stated in the record
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Two Facades of a Public Building
Antonio Sarti, Italian, 1797 - 1880 · ca. 1840
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Artist not stated in the record · 1500–1520
Seven of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
The Harvesters
Pieter Bruegel the Elder · 1565
Seven of Clubs
E. Le Tellier, French, active late 19th century · late 19th century
The Unicorn Rests in a Garden (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505
Bush Clover and Birds
Artist not stated in the record · mid 18th - early 19th century
The Martyrdom of Saint Barbara
Lucas Cranach the Elder · ca. 1510
Bush Clover on Lattice
Artist not stated in the record · mid 18th - early 19th century
The Adoration of the Magi
Giotto di Bondone · possibly ca. 1320
Seven of Spades
E. Le Tellier, French, active late 19th century · late 19th century
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Elevation of a public building
Giuseppe Barberi, Italian, 1746–1809 · 1787
The Love Song
Sir Edward Burne-Jones · 1868–77
Seven of Hearts
E. Le Tellier, French, active late 19th century · late 19th century
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500
Panoramic handscreen
Artist not stated in the record · ca. 1830
The Story of Joseph
Biagio d'Antonio
The Whore of Babylon, from The Apocalypse
Artist not stated in the record · ca.1496-97
Seven Sages of the Bamboo Grove
Sesson Shūkei · 1550s
Maisaka from the series 53 Stations of Tokaido
Ando Hiroshige, Japanese, 1797–1858 · 1855
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 105 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483517 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 08:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.