OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Shiva Seated with Parvati” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-08-27 09:43 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Shiva Seated with Parvati
Artist not stated in the record · 11th century
Shiva and Parvati on a tiger skin: Anakūl Nayaka folio from a Rasamanjari
Attributed to Golu, son of Devidasa · ca. 1710 - ca. 1715
Shiva Seated with Parvati
Artist not stated in the record · ca. 10th century
Sadashiva worshipped by Parvati
Attributed to Devidasa (Indian, active 1690-1695) · ca. 1690
Shiva Seated with Parvati (Uma Maheshvara)
Artist not stated in the record · late 9th–early 10th century
Worship of Shri Nathji
Artist not stated in the record · ca. 1700
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series
Devidasa of Nurpur · dated 1694–95
Queen Sembiyan Mahadevi as the Goddess Uma
Artist not stated in the record · 10th century
Shiva Seated with Uma (Umamaheshvara)
Artist not stated in the record · 10th century
Armchair with slip seat
John Hewitt, American, 1777–1857 · ca. 1820
Shiva
Nritya Lal Datta · ca. 1850–70
Chair with corn husk seat woven by Johnnie Ree Jackson
Johnnie Ree Jackson, American, born 1904 · 1980s
Posthumous Portrait of a Queen as Parvati
Artist not stated in the record · 14th century
side chair
Charles Rohlfs, 1853–1936 · 1901
Shiva and Parvati with their Sons Karttikeya and Ganesha and the Calf Bull
Artist not stated in the record · 9th century
Barstool with black vinyl cover from Muse Bar, the home bar of Isaiah Muse
Unidentified · 1970s
Shri Shankara Shiva
Artist not stated in the record · ca. 1890–20
Design for a Carriage Box Seat (Driver’s Seat) and Body
Louis Van Nerven, Dutch, active ca. 1750 · 1755–69
Rondel with a Racing Male Deity Cradling His Consort (Probably Shiva and Parvati)
Artist not stated in the record · 5th century
Side chair
Artist not stated in the record · late 18th century
Shiva and Parvati
Artist not stated in the record · 19th century
Audience chairs from the set of The Oprah Winfrey Show at Harpo Studios
Artist not stated in the record · after 1995
Shiva, Parvati, and Their Son Skanda (Somaskandamurti)
Artist not stated in the record · early 11th century
The Happy Satyr with His Family, plate 10 from the Scherzi di Fantasia
Artist not stated in the record · 1750–1760
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 54 matched · 24 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 253910 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 09:43 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.