Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Sketches for the Judgement of Paris” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-09-02 11:13 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Paris
Antico (Pier Jacopo Alari Bonacolsi) · ca. 1518–1524

Sketches for the Judgement of Paris
Artist not stated in the record · 1660–1680

Paris
Jacques-Edmé Dumont · ca. 1795

Suite of 7 Ornamental Designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

Paris
Antonio Canova · ca. 1822–23, original marble version completed November 1812

Minerva, plate from a suite of 6 ornamental designs with the Judgement of Paris
Artist not stated in the record · ca. 1690

Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder · ca. 1555

Juno, plate from a suite of 6 ornamental designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo · ca. 1751–52

The Judgement of Paris
Artist not stated in the record · 1650–75

Louis XV (1710–1774), King of France
Jean-Baptiste Lemoyne the Younger · 1757

Paris, plate from a suite of 6 ornamental designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo · 1760s

Venus, plate from a suite of 6 ornamental designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

The Little Fourteen-Year-Old Dancer
Edgar Degas · modeled 1881, cast 1922, modern tutu

River God, plate from a suite of 6 ornamental designs with the Judgement of Paris
Artist not stated in the record · ca. 1690

Impression of Amélie de Montfort
Jean-Baptiste Carpeaux · ca. 1867–69

Mercury, plate from a suite of 6 ornamental designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

The Rape of Europa and Mercury and the Three Graces
Lambertus Vrythoff · case ca. 1645, movement ca. 1750

River God, plate from a suite of 6 ornamental designs with the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1690

The Triumph of Henry IV
Peter Paul Rubens · ca. 1630

Juno, Plate 1, from the Judgement of Paris
Adriaen Collaert, Flemish, ca. 1560 – 1618 · ca. 1590

Armor of Infante Luis, Prince of Asturias (1707–1724)
Jean Drouart · dated 1712

Paris, Zeus visiting Callisto
Artist not stated in the record · 1780–1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 18417 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3015908 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 11:13 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.