Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “St. Paul's Cathedral, from "Ackermann's Repository"” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-09-04 11:00 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Salisbury Cathedral from the Bishop's Grounds
John Constable · ca. 1825

St. Paul's Cathedral, from "Ackermann's Repository"
Artist not stated in the record · 1809

The Assumption of the Virgin
Bernardo Daddi · 1337–38

St. Paul's--From My Window
Joseph Pennell, born Philadelphia, PA 1857-died New York City 1926 · 1909

Saint Paul's from the South Showing the Spire (Ecclesiae Paulinae Prospectus...), from "The History of St. Paul's Cathedral in London"
Wenceslaus Hollar · 1657

A North West View of St Pauls Cathedral London
Georg Balthasar Probst, German, 1732 - 1801

Saint Paul's, South side (Ecclesiae Cathedralis St. Pauli, A Meridi Prospectus), from "The History of St. Paul's Cathedral in London"
Wenceslaus Hollar · 1658

St. Martins, in the Fields, from "Ackermann's Repository"
Artist not stated in the record · 1809
Pilgrim's Badge of the Shrine of St. Thomas Becket at Canterbury
Artist not stated in the record · 1350–1400

St. Stephan's Walbrook, from "Ackermann's Repository"
Artist not stated in the record · 1809

The Adoration of the Magi
Joos van Wassenhove · 1472–74

Workhouse, St. James Parish, from "Ackermann's Repository"
Artist not stated in the record · 1809

St. Paul's Cathedral, from St. Martin's-le-Grand
Thomas Girtin · 1795–96

St. Luke's Hospital, from "Ackermann's Repository"
Artist not stated in the record · 1809

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

St. Margarets, Westminster, from "Ackermann's Repository"
Artist not stated in the record · 1809

Old St. Paul's Cathedral, London, seen from the East
Wenceslaus Hollar · 1656–58

Drawing Room St. James's, from "Ackermann's Repository"
Artist not stated in the record · 1809

The Unicorn Rests in a Garden (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505

Watch House, St. Mary le Bone, from "Ackermann's Repository"
Artist not stated in the record · 1809

St. Paul's Cathedral
Thomas Rowlandson · August 1, 1809

Page from Ackermann's "Repository of the Arts, Science etc,"
Artist not stated in the record · 1810

Capriccio with St. Paul's and Old London Bridge
Antonio Joli · ca. 1745

Page from Ackermann's "Repository of the Arts, Science etc,"
Artist not stated in the record · 1810
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 109 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 644173 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 11:00 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.