OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Stage Design, Prison Interior” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-03 11:49 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Roman Interior
Jean Honoré Fragonard · ca. 1760
Stage Design, Prison Interior
Pietro di Gottardo Gonzaga, Italian, 1751 - 1831 · early 19th century
Saint Reparata before the Emperor Decius
Bernardo Daddi · ca. 1338–40
Stage Design, Prison Interior
Artist not stated in the record · early 19th century
Cabinet
Herman Doomer · ca. 1640–50
Stage Design, Prison Interior
Artist not stated in the record · early 18th century
Dark Prison (Carcere Oscura)
Joseph Mallord William Turner · 1790–99
Stage Design, Prison Interior
Artist not stated in the record · early 19th century
Stage Design, with Four other Drawings
Tranquillo Orsi
Stage Design, Prison Interior with the Death of Socrates
Antonio Giuseppe Basoli, Italian, 1774–1843 · early 19th century
Design for a Stage Set
Eugène Cicéri · 1830–90
Stage Design of a Prison Interior
Michelangelo Fasano, Italian, active 18th century · mid-18th century
Design for a Stage Set
Carlo Zucchi the Younger · ca. 1748–95
Stage Design, Interior of Prison
Luigi Ricci, Italian, 1823 - 1896 · early 19th century
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri · 1830–90
Stage Design, Interior of Prison
Artist not stated in the record · early 19th century
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri · 1830–90
Stage Design, Interior of Prison Court
Artist not stated in the record · 18th century
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri · 1830–90
Stage Design for the Interior of Prison
Giuseppe Barberi, Italian, 1746–1809 · early 19th century
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri · 1830–90
Stage Design, Interior of a Prison
Artist not stated in the record · 19th century
Stage Set of a Room Interior with Receding Perspective
Anonymous, Italian, Piedmontese, 18th century · 1700–1780
Count Ugolino della Gherardesca with his Sons and Grandsons in Prison
Felice Giani, Italian, 1758–1823 · ca. 1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 141 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 669775 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 11:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.