OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Stage Design, Prison in Gothic Building” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-03 07:51 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Gothic Doorway
Artist not stated in the record · ca. 1520–30
Stage Design, Prison in Gothic Building
Artist not stated in the record · mid- 18th–late 18th century
Elevation of a Gothic Pinnacle with a Hexagonal Plan
Wenzel von Olmütz · 1490–99
Stage Design for the Interior of a Gothic Building
Giuseppe Barberi, Italian, 1746–1809 · early 19th century
Saint Reparata before the Emperor Decius
Bernardo Daddi · ca. 1338–40
Stage Design, Exterior of Gothic Buildings
Romolo Achille Liverani, Italian, 1809 - 1872 · 1831
Saint Reparata Tortured with Red-Hot Irons
Bernardo Daddi
Stage Design for the Interior of a Gothic Building
Giuseppe Barberi, Italian, 1746–1809 · early 19 century
Saint Reparata Being Prepared for Execution
Bernardo Daddi
Stage Design: Interiors of Gothic Building
Giuseppe Barberi, Italian, 1746–1809 · early 19th century
The Dream of Aeneas
Salvator Rosa · 1660–65
Stage Design, Exterior of Gothic Church
Artist not stated in the record · early 19th century
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini) · 1467
Stage Design, Interior of Gothic Church
Artist not stated in the record · ca. 1830
Armchair
John and Joseph W. Meeks · ca. 1850
Stage Design, Gothic Palace, Church, and Fortress
Angelo Toselli, ca. 1765? – 1826 · ca. 1800
The Harvesters
Pieter Bruegel the Elder · 1565
Stage Design, Buildings on Riverside
Artist not stated in the record · early 19th century
Table
Artist not stated in the record · ca. 1860
Stage Designs: Detail of Gothic Interior
Giuseppe Barberi, Italian, 1746–1809 · early 19th century
Fish Market
Joachim Beuckelaer · 1568
Stage Design, Interior of a Prison
Artist not stated in the record · 19th century
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Stage Design, Interior of Prison
Artist not stated in the record · early 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 394 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7463582 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 07:51 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.