OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Stage Design, View into Palace” — 64 records examined, 1 dropped by the rights gate.

Archives queried 2026-08-28 16:29 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Sprite, by Donatello

Sprite

Donatello · 1432

Public domainThe Met
Stage Designs, Views into Palace Courts, by Angelo Toselli, ca. 1765? – 1826

Stage Designs, Views into Palace Courts

Angelo Toselli, ca. 1765? – 1826 · ca. 1820

CC0 (public-domain equivalent)Smithsonian
The Harvesters, by Pieter Bruegel the Elder

The Harvesters

Pieter Bruegel the Elder · 1565

Public domainThe Met
Stage Design, View into Palace

Stage Design, View into Palace

Artist not stated in the record · early 18th century

CC0 (public-domain equivalent)Smithsonian
The Rest on the Flight into Egypt, by Gerard David

The Rest on the Flight into Egypt

Gerard David · ca. 1512–15

Public domainThe Met
Stage Design, View into Palace

Stage Design, View into Palace

Artist not stated in the record · early 18th century

CC0 (public-domain equivalent)Smithsonian
Spinario (boy pulling a thorn from his foot), by Antico (Pier Jacopo Alari Bonacolsi)

Spinario (boy pulling a thorn from his foot)

Antico (Pier Jacopo Alari Bonacolsi) · probably modeled: 1496, cast: ca. 1501

Public domainThe Met
Stage Design, Palace Interior

Stage Design, Palace Interior

Artist not stated in the record · early 19th century

CC0 (public-domain equivalent)Smithsonian
Vessel with mythological scene, by Maya artist(s)

Vessel with mythological scene

Maya artist(s) · 600–800 CE

Public domainThe Met
Stage Design, Palace Courts

Stage Design, Palace Courts

Artist not stated in the record · early 19th century

CC0 (public-domain equivalent)Smithsonian
Girl in a Straw Bonnet, by Albert-Ernest Carrier-Belleuse

Girl in a Straw Bonnet

Albert-Ernest Carrier-Belleuse · ca. 1868–70

Public domainThe Met
Stage Design, Palace Interior

Stage Design, Palace Interior

Artist not stated in the record · late 18th century

CC0 (public-domain equivalent)Smithsonian
Emperor Antoninus Pius, by Antico (Pier Jacopo Alari Bonacolsi)

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) · 1519–24

Public domainThe Met
Stage Design for the Interior of a Gothic Palace, by Giuseppe Barberi, Italian, 1746–1809

Stage Design for the Interior of a Gothic Palace

Giuseppe Barberi, Italian, 1746–1809 · early 19th century

CC0 (public-domain equivalent)Smithsonian
Christ's Descent into Hell, by Hieronymus Bosch

Christ's Descent into Hell

Hieronymus Bosch

Public domainThe Met
Stage Design, Palace Courtyards and Staircases

Stage Design, Palace Courtyards and Staircases

Artist not stated in the record · early 19th century

CC0 (public-domain equivalent)Smithsonian
Fish Market, by Joachim Beuckelaer

Fish Market

Joachim Beuckelaer · 1568

Public domainThe Met
Stage Design, Arcaded Palace Hall

Stage Design, Arcaded Palace Hall

Artist not stated in the record · early 18th century

CC0 (public-domain equivalent)Smithsonian
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), by Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

Peter Paul Rubens · ca. 1635

Public domainThe Met
Stage Design, Palace Interior

Stage Design, Palace Interior

Artist not stated in the record · early 19th century

CC0 (public-domain equivalent)Smithsonian
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs, by Antonio Galli Bibiena

Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs

Antonio Galli Bibiena · 1700–74

Public domainThe Met
Stage Design, Open Palace Court

Stage Design, Open Palace Court

Artist not stated in the record · early 18th century

CC0 (public-domain equivalent)Smithsonian
The Rehearsal of the Ballet Onstage, by Edgar Degas

The Rehearsal of the Ballet Onstage

Edgar Degas · ca. 1874

Public domainThe Met
Stage Design, Palace Court

Stage Design, Palace Court

Artist not stated in the record · early 19th century

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 240 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 1120588 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-28 16:29 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.