OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Standing Female Figure with an Offering” — 64 records examined, 12 dropped by the rights gate.
Archives queried 2026-09-04 05:32 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Standing Female Figure with an Offering
Artist not stated in the record · 1st–2nd century
Le Sacrifice à l'Amour (Offrande à l'Amour)
Jean-Baptiste Huët, French, 1745–1811 · ca. 1795
Estate Figure
Artist not stated in the record · ca. 1981–1975 B.C.
Figures in a Landscape
François Boucher, French, 1703–1770 · 1751
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
Woodcarving of a slave trader with enslaved female figure
Unidentified · 19th century
Standing figure
Teotihuacan artist(s) · 350–600 CE
Figural Scene with Artist Drawing Female Figure While Man Watches from Behind
Felice Giani, Italian, 1758–1823 · late 18th–early 19th century
Marble female figure
Artist not stated in the record · 4500–4000 BCE
Design for a Tapestry: Allegory of Africa
Gérard Audran, French, 1640–1703 · 1660-1680
Female figure from an obu (house of images)
Igbo artist · Late 19th century
Design for the Decoration of a Panel
Giuseppe Barberi, Italian, 1746–1809 · 1775-1790
Terracotta Little Master cup
Artist not stated in the record · ca. 565–550 BCE
Fragment
Artist not stated in the record · ca. 1820
Funeral Ritual in a Garden, Tomb of Nakhtmin
Charles K. Wilkinson · 1921; original ca. 1479–1425 BCE
Design for Left Half of Door Frame
A. Quadrío, Italian, active 18th century · 1700–30
Buddha Offering Protection
Artist not stated in the record · late 6th–early 7th century
Four Figures in a Fantastical Garden
Alexis Peyrotte, French, 1699–1769 · 1738–49
Smiling figure (Sonriente)
South central Veracruz artist(s) · 600–1000 CE
Door in a garden wall
Filippo Marchionni, Italian, 1732–1805 · ca. 1754
Seated female figure
Nayarit artist(s) · 100–400 CE
Stage Curtain: Temple of Fame
Felice Giani, Italian, 1758–1823 · ca. 1815
Standing Vishnu as Keshava
Dasoja of Balligrama · first quarter of the 12th century
Bonad
Artist not stated in the record · 1775–1825
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 4062 matched · 24 examined · 5 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 868243 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 05:32 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.