OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Standing Monkey Amulet” — 64 records examined, 30 dropped by the rights gate.
Archives queried 2026-09-03 17:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Standing Monkey Amulet
Artist not stated in the record · 664–332 BCE
Le Feu
Jean Démosthène Dugourc, French, 1749–1825 · 1782
Amulet
Artist not stated in the record · ca. 1300–1080 BCE
Standing Youth and Seated Magus with Monkey on Leash, plate 18 from the Scherzi di Fantasia
Giovanni Battista Tiepolo, Italian, 1692 - 1770 · 1750-60
Monkey or meerkat
Artist not stated in the record · 500–200 BCE
LE DEJEUNÉ
Christophe Huet, French, 1695 – 1759 · mid- 18th century
Monkey amulet
Artist not stated in the record · ca. 2150–1950 B.C.
Monkey Playing a Violin
Artist not stated in the record · ca. 1710–1720
Ape Amulet
Artist not stated in the record · 664–332 BCE
Stand
Artist not stated in the record · 1736–95
Female Monkey Holding Its Baby
Artist not stated in the record · ca. 1981–1802 B.C.
LES JOUEURS DE VOLANTS
Christophe Huet, French, 1695 – 1759 · mid- 18th century
Design Amulet with a Hippopotamus (? ) Head on the Back Pierced for Stringing, and a Left-facing Monkey as the Device
Artist not stated in the record · ca. 2150–2100 B.C.
LE CHAT QUI TIRE LES MARONS DU FEU
Christophe Huet, French, 1695 – 1759 · mid- 18th century
Amulet depicting one of the four sons of Horus, Hapy
Artist not stated in the record · ca. 1080–525 BCE
LE LAVEMENT RENDU
Christophe Huet, French, 1695 – 1759 · 1743
Design Amulet, Woman Suckling a Child on Back, Device showing Geometricized Monkeys
Artist not stated in the record · ca. 2080–2010 B.C.
LE ZIGZAG
Christophe Huet, French, 1695 – 1759 · 1743
Amulet Carved in Intaglio (Incised)
Artist not stated in the record · 6th–7th century
Les fins Chasseurs
Christophe Huet, French, 1695 – 1759 · 1743
Vitrine Containing Twenty-Five Ornaments
Artist not stated in the record · 18th–19th century
Title Page
Christophe Huet, French, 1695 – 1759 · mid- 18th century
Double-chambered vessel with monkey
Chimú artist(s) · 1350–1470 CE
LES PESCHEURS
Christophe Huet, French, 1695 – 1759 · mid- 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 186 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 28305 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 17:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.