OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Standing attendant” — 64 records examined, 18 dropped by the rights gate.
Archives queried 2026-08-27 09:59 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Standing attendant
Artist not stated in the record · 7th century
The Virgin and Child
Artist not stated in the record · ca. 1610
Attendants in a Procession
Artist not stated in the record · ca. 1347–1330 BCE
Standing Bodhisattva with attendants
Artist not stated in the record · 596
Plaque with equestrian ọ́bà (king) and attendants
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Standing bodhisattva with attendants
Artist not stated in the record · 550-577
Relief with palace attendant
Artist not stated in the record · ca. 1347–1330 BCE
The hall of scenic beauty 有美堂圖
Copy after Qiu Ying 仇英 (ca. 1494-1552) · 17th century
King Arthur (from the Heroes Tapestries)
Artist not stated in the record · ca. 1400–1410
Fudo Myo 'o, with attendants Kongara and Seitaka
Artist not stated in the record · 14th-15th century
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
Jeweled Sculpture of Antony, Cleopatra, and Attendant
Artist not stated in the record · late 19th century
Standing Buddha
Artist not stated in the record · 8th–9th century
Four Continents
Artist not stated in the record · 1701–50
Standing Buddha
Artist not stated in the record · 7th–8th century
Magus and Youth, with a Horse and Groom, plate 19 from the Scherzi di Fantasia
Artist not stated in the record · 1750–1760
Terracotta statuette of an enthroned goddess between two attendants
Artist not stated in the record · 4th century BCE
Hommage d l'Amerique a France
Artist not stated in the record · 1785
Standing Female Attendant
Artist not stated in the record · late 7th–early 8th century
Four Continents
Artist not stated in the record · 1680–90
Par nirvana (death and transcendence of the Buddha) and attendant arhats
Qiao Bin · dated 1503
Adoration of the Magi
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580–1600
Par nirvana (death and transcendence of the Buddha) and attendant arhats
Qiao Bin · dated 1503
Design for an Arabesque Motif
Etienne de Lavallée-Poussin, French, 1735–1802 · 1770
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 292 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 19551 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 09:59 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.