OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Stucco Fragment” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-04 02:15 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Stucco relief fragment
Artist not stated in the record · ca. 138–161 CE
Castello Estense, Ferrara
Felice Giani, Italian, 1758–1823 · 1822
Stucco
Artist not stated in the record · probably 8th–12th century
Ceiling Design
Carlo Maria Pozzi · 1708
Stucco relief with goat
Artist not stated in the record · 1st century CE
Ceiling Design
Carlo Maria Pozzi · 1708
Fragment of a Painted Cornice Panel with Scrolling Vines
Artist not stated in the record · 11th century
Design for Stucco Decorations of Panels
Artist not stated in the record · mid- 18th century
Eagle relief
Toltec artist(s) · 900–1200 CE
Design for Stucco Decorations of Panels
Artist not stated in the record · mid- 18th century
Fragment of Inscription, Found behind Stucco Dado Panel
Artist not stated in the record · 9th century
An escutcheon, with a dedication
Carlos Bini · 1750–75
Fragment of a Cornice Panel
Artist not stated in the record · 10th century
Design for the Stucco Decoration of a Vaulted Ceiling
Artist not stated in the record · ca. 1660
Veiled Woman
Artist not stated in the record · 9th–10th century
Ceiling Design
Carlo Maria Pozzi · 1708
Man with Black Hair
Artist not stated in the record · 9th–10th century
Project for an oblong stucco ceiling: gaines and garlands
Artist not stated in the record · 1725–75
Wall Painting with Female Figure
Artist not stated in the record · 9th–10th century
A Stucco Angel from the Nave Vault, Church of the Gesu, Rome," from the album "Drawings after Ornament and Architecture"
Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 · ca. 1759–70
Frieze with a Pattern of Octagons and Squares
Artist not stated in the record · probably 8th–12th century
Five Ceiling Schemes
Felice Giani, Italian, 1758–1823 · 1815–23
Stucco Fragment
Artist not stated in the record · probably 8th–12th century
Design for the Stucco Decoration of a Ceiling
Artist not stated in the record · 1578–1600
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2919 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 39150 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 02:15 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.