OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Tabernacle Frame” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-31 02:16 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tabernacle frame
del Tasso · ca. 1530
Louisa Catherine Adams Clement
Mary Louisa Adams Clement, born Newbury, MA 1882-died Warrenton, VA 1950 · ca. 1910
Tabernacle frame
Artist not stated in the record · 16th century
Design for a Tabernacle
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Tabernacle frame
Artist not stated in the record · ca. 1406
Mrs. William T. Evans and Her Son
Henry O. Walker, born Boston, MA 1843-died Belmont, MA 1929 · 1895
Tabernacle frame
Artist not stated in the record · second quarter 14th century
Design for the Elevation of an Altar with Alternative Suggestions
Francesco Solimena, Italian, 1657–1747 · ca. 1700–40
Part of a tabernacle frame
Artist not stated in the record · late 16th century
Angel
Abbott Handerson Thayer, born Boston, MA 1849-died Dublin, NH 1921 · 1887
Engaged arched cassetta frame and arched tabernacle frame
Artist not stated in the record · ca. 1465 and 1490 (?)
Design for an Altar
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters · second half 16th century (panels); ca. 1865–90 (frame)
Votive Tabernacle Shrine
Artist not stated in the record · 18th century
Tabernacle frame
Artist not stated in the record · early 16th century
Project for an Altar
Artist not stated in the record · 1750–1775
Tabernacle frame
Artist not stated in the record · ca. 1485
Project for an Altar
Artist not stated in the record · 1750–1775
Tabernacle frame
Artist not stated in the record · early 16th century
The elevation of an altar with two alternative suggestions
Artist not stated in the record · 1775–1800
Tabernacle frame
Artist not stated in the record · style late 16th century, made 19th century
Altar mensa
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Tabernacle frame
Artist not stated in the record · style 16th century, made ca. 1920
Sketches for an altar
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 73 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 15685 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 02:16 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.