Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-28 22:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ
Artist not stated in the record · ca. 1275–1300
![Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), by Giovanni Luigi Valesio, Italian, ca. 1583 - 1633](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-B1A82C5B55282_03-000001.jpg&w=3840&q=75)
Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio)
Giovanni Luigi Valesio, Italian, ca. 1583 - 1633 · 1619

Madonna and Child with Saints
Giovanni di Paolo (Giovanni di Paolo di Grazia) · 1454

A Tomb Monument
Gilles-Marie Oppenord, French, 1672–1742 · 1692–99

Madonna and Child
Simone Martini · ca. 1326

Design for Crèche (Nativity Scene)
Artist not stated in the record · ca. 1770

Madonna and Child
Carlo Crivelli · ca. 1480

Madonna and Child
Peter Paul Rubens, Flemish, born Siegen, Germany 1577-died Antwerp, Belgium 1640 · ca. 1615-1618

Madonna and Child
Duccio di Buoninsegna · ca. 1290–1300

Adoration of the Shepherds
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1585 – 1605

Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura) · ca. 1505–7

Female Figure Among Clouds; Resurrection, Study after Panetti
Felice Giani, Italian, 1758–1823 · 1821–22

The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25

Madonna and Child with an Angel
Giovanni Marco Paluzzi, Italian, 1655-1690 · late 17th century

Madonna and Child Enthroned with Saints
Raphael (Raffaello Sanzio or Santi) · ca. 1504

The Madonna and Child
Artist not stated in the record · ca. 1630

Tabernacle of Cherves
Artist not stated in the record · ca. 1220–1230

Madonna and Child
Egisto Rossi, Italian, 1824 or 1825–1899 · 1830–60

Madonna and Child
Vincenzo Foppa · ca. 1480

Sheet 15 of a Drawing Book, Group of the Madonna of the Rosary
Carlo Maria Giudici, Italian, 1723 - 1804 · 1780–1800

Madonna and Child
Berlinghiero · possibly 1230s

Dress for an ecclesiastical figurine
Artist not stated in the record · 18th century

Madonna and Child
Filippino Lippi · ca. 1483–84

Design for a Tabernacle
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 927 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3300301 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 22:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.