OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Table screen with land of immortals” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-28 13:21 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Table screen with land of immortals
Artist not stated in the record · 18th–19th century
Table cover
Artist not stated in the record · 18th century
Table screen with land of immortals
Artist not stated in the record · 18th–19th century
Sampler
Artist not stated in the record · 1762
Table Screen with land of immortals
Artist not stated in the record · 18th–19th century
Female immortal with a basket
Artist not stated in the record · 1575-1725
Table screen with land of immortals
Artist not stated in the record · 18th–19th century
Immortal Magu with deer and peach tree
Artist not stated in the record · 1575-1725
Table
Artist not stated in the record · ca. 1775–80
Bleriot XI
Blériot Aéronautique · 1914
Table screen with landscape
Artist not stated in the record · second half 15th century
A Medal of Napoleon Bonaparte as President of the Italian Republic, verso; Hebe Gives Immortality to Hercules's Charioteer
Felice Giani, Italian, 1758–1823 · 1802–04
Immortals
Hasegawa Sakon 長谷川左近 · ca. 1620s–30s
Design for Temple of Justice or Temple of Immortality
Jean-Charles Delafosse, French, 1734 – 1789 · ca. 1765
Mechanical table
Jean Henri Riesener · 1781
netsuke
Artist not stated in the record · 18th century
Boiserie from the Hôtel Lauzun
Artist not stated in the record · ca. 1770, with one modern panel
Tsuba
Bairiuken Kiyonaga, Japanese · 1830–43
Writing table (bureau plat)
Gilles Joubert · 1759
Sampler
Artist not stated in the record · 1786
Table screen with Bodhidharma and landscape of Jinshan Island
Artist not stated in the record · mid-18th century
Stand
Artist not stated in the record · 1736–95
Mantel clock with musical movement
Jean-Baptiste-André Furet · ca. 1784
Textile
Artist not stated in the record · ca. 1785
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 274 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 6617500 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 13:21 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.