OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Talatat with Nubians and Syrians in Adoration” — 51 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-27 03:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Talatat with Nubians and Syrians in Adoration
Artist not stated in the record · ca. 1347–1330 BCE
Fame Adoring Shakespeare's Tomb
Artist not stated in the record · ca. 1800
Relief faragment with Nubians
Artist not stated in the record · ca. 1347–1330 BCE
Holy Trinity with the Dead Christ in Glory after Palma Giovane; Adoration of the Magi, Study after Lodovico Carracci
Felice Giani, Italian, 1758–1823 · 1810–20
Attendants in a Procession
Artist not stated in the record · ca. 1347–1330 BCE
The Adoration of the Shepherds
Artist not stated in the record · 1720–50
Relief fragment with Nubian soldiers
Artist not stated in the record · ca. 1347–1330 BCE
Adoration of the Angels
Donato Creti, Italian, 1671–1749 · ca. 1725
Akhenaten Sacrificing a Duck
Artist not stated in the record · ca. 1347–1330 BCE
An Adoring Angel
Artist not stated in the record · late 16th century
Scene of Fishing and Fowling
Artist not stated in the record · ca. 1347–1330 BCE
Adoration of the Magi
Artist not stated in the record · 1500–50
Tile with a bound Nubian from the the side of a dais
Artist not stated in the record · ca. 1290–1224 BCE
Adoration of the Shepherds
Francesco Saverio Mergolo, Italian, 1746–1786 · ca. 1750–90
Tile from walls of Throne Room in the palace of Ramesses II
Artist not stated in the record · ca. 1290–1224 BCE
Scenes from the Life of the Virgin
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1589 or before
Tile depicting a Syrian from the step of a dais
Artist not stated in the record · ca. 1290–1224 BCE
The Adoration of the Magi
Artist not stated in the record · ca. 1640–1650
Royal hand
Artist not stated in the record · ca. 1347–1330 BCE
Adoration of the Shepherds
Artist not stated in the record · 18th century
Adoration of the Magi
Artist not stated in the record · 1790–1820
The Adoration of the Magi
Artist not stated in the record · mid–late 16th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 11 matched · 11 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7481943 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 03:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.