OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Tapestry: a Daoist female Immortal and attendant under a pine” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-28 13:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Box with Daoist Immortals
Artist not stated in the record · mid-16th century
Tapestry: a Daoist female Immortal and attendant under a pine
Artist not stated in the record · 1368-1644
Landscapes with poems
Gong Xian · 1688
Female immortal with a basket
Artist not stated in the record · 1575-1725
Strolling in a misty valley
Mei Qing · 1649
Discussing the Dao in the shade of pines 松陰論道圖
Follower of Yan Hui 顏輝 (late 13th-early 14th century) · 14th century
A Vase of Flowers
Margareta Haverman · 1716
Immortal Magu with deer and peach tree
Artist not stated in the record · 1575-1725
Mezzetin
Antoine Watteau · ca. 1718–20
Standing figure of a female Immortal
Formerly attributed to Zhang Mei (active early-mid 10th century) · 16th-17th century
The Adoration of the Magi
Quinten Massys · 1526
Landscape with Daoist immortals in the mountains
Copy after Qiu Ying 仇英 (ca. 1494-1552) · 17th century
Ia Orana Maria (Hail Mary)
Paul Gauguin · 1891
Robe for a statue
Artist not stated in the record · late 18th century
The Annunciation
Hans Memling · ca. 1465–70
The Peach Festival of the Queen Mother of the West
Formerly attributed to Fang Chunnian (ca. 1225-1264) · 17th-18th century
Youth in a Chariot with Attendant Young Woman
Guercino (Giovanni Francesco Barbieri) · ca. 1621–23
An immortal and a deer looking at a dragon overhead
Tuan Shigen (mid 18th century) · 1751
Mountain scene in the form of pine, cranes, and immortals
Artist not stated in the record · 18th–19th century
A female immortal on a porcine animal
Artist not stated in the record · 1368-1644
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes) · 1792
Bringing a lute to an immortal's pavilion 攜琴仙觀圖
Formerly attributed to Guo Zhongshu (傳)郭忠恕 (910-977) · 14th century
The Adoration of the Magi
Joos van Wassenhove · 1472–74
The palaces and gate towers of Penglai
Zhu Dan (mid- to late 17th century) · 1683
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 24 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3211052 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 13:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.