OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Taste, from "Senses"” — 64 records examined, 18 dropped by the rights gate.
Archives queried 2026-09-02 00:23 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Taste, from "The Five Senses"
Anne Claude Philippe de Tubières, comte de Caylus · 1730–65
Taste, from "Senses"
Artist not stated in the record · 1750–1775
Charity
Carlo Cignani · ca. 1680
Le Gout (Taste) from the series Les Cinq Senses (The Five Senses)
François Boucher, French, 1703–1770 · 1720–1770
Taste from The Five Senses
Cornelis Cort · 1561
Le Gout
Jean-Baptiste Pillement, French, 1728–1808 · 1758–89
Young Lady in 1866
Edouard Manet · 1866
Sense of Taste, Plate from Quinque sensum typi in usum aurifabroru exarati (Images of the Five Senses Engraved for the Benefit of the Goldsmith)
Crispijn de Passe the Elder, Dutch, ca. 1565 - 1637 · ca. 1580
Salisbury Cathedral from the Bishop's Grounds
John Constable · ca. 1825
Summer
Thomas Wilmer Dewing, born Boston, MA 1851-died New York City 1938 · ca. 1890
Portrait of a Man, Possibly a Self-Portrait
Velázquez (Diego Rodríguez de Silva y Velázquez) · ca. 1635
Sense of Taste
Paul Scarron, French, 1610 - 1660 · mid- 17th century
Spinario (boy pulling a thorn from his foot)
Antico (Pier Jacopo Alari Bonacolsi) · probably modeled: 1496, cast: ca. 1501
Fire Screen: The Sense of Taste
Artist not stated in the record · ca. 1750
Disk Brooch
Artist not stated in the record · second half 7th century
The Sense of Taste
François-Thomas Mondon, French, 1709 – 1755 · ca. 1740
Snuffbox with six scenes of putti at play
Jean Georges (or George) · ca. 1761–62
Le Gout
François-Thomas Mondon, French, 1709 – 1755 · ca. 1736-55
Vase
John Bennett · 1882
Embroidered picture
Artist not stated in the record · 17th century
Taste (Gustus), from "The Five Senses"
Georg Pencz
A Moorish Smoking Room
Emmanuel Coulange-Lautrec, French, 1824 – 1898 · 1856
Fuchsia: Taste, from the series Floral Beauties and Language of Flowers (N75) for Duke brand cigarettes
American Tobacco Company · 1892
L'Ouye (Hearing) from the series Les Cinq Senses (The Five Senses)
François Boucher, French, 1703–1770 · 1720–1770
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 3665 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 412055 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 00:23 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.