OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Textile fragment with peaches, plums, birds, bats and deer” — 52 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-07 23:26 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Textile fragment with peaches, plums, birds, bats and deer
Artist not stated in the record · 16th–17th century
Fragment
Artist not stated in the record · 17th century
Panel with Rosebush, Birds, and Deer Pattern
Artist not stated in the record · late 17th–early 18th century
Textile
Artist not stated in the record · 18th–early 19th century
The Unicorn Purifies Water (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505
Fragment
Artist not stated in the record · 17th century
Rank Badge with Egret
Artist not stated in the record · late 18th century
Fragments
Artist not stated in the record · ca. 1835
"Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album
Artist not stated in the record · recto: ca. 1645; verso: ca. 1630–40
Textile
Artist not stated in the record · late 18th–early 19th century
Kosode Fragment
Artist not stated in the record · second half of the 17th century
Fragment
Artist not stated in the record · 17th century
The Seley Carpet
Artist not stated in the record · late 16th century
Fragment
Artist not stated in the record · 18th century
Heraldic Composition
Artist not stated in the record · ca. 1350–75
Fragment
Artist not stated in the record · 1750–1800
Woman's Informal Jacket with Antiquities in Medallions
Artist not stated in the record · 19th century
Fragment
Artist not stated in the record · 17th century
Kalamkari Hanging with Figures in an Architectural Setting
Artist not stated in the record · ca. 1640–50
Fragment
Artist not stated in the record · 19th century
Frieze Tile with Two Hunters
Artist not stated in the record · second half 13th century
Fragment
Artist not stated in the record · 1750–99
"The Emperor Shah Jahan with his Son Dara Shikoh", Folio from the Shah Jahan Album
Nanha · verso: ca. 1620; recto: ca. 1530–50
Fragment
Artist not stated in the record · ca. 1850
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 12 matched · 12 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2104927 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-07 23:26 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.