OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “The Agony in the Garden and The Betrayal (from Scenes from the Passion of Christ)” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-27 21:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Agony in the Garden and The Betrayal (from Scenes from the Passion of Christ)
Artist not stated in the record · early 16th century
Agony in the Garden, from The Engraved Passion
Albrecht Dürer, German, 1471–1528 · 1508
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Betrayal of Christ, from The Engraved Passion
Albrecht Dürer, German, 1471–1528 · 1508
Diptych with Scenes from the Passion of Jesus
Artist not stated in the record · ca. 1350–75
Christ on the Mount of Olives (The Agony in the Garden), from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Agony in the Garden
Artist not stated in the record · ca. 1390
Christ on the Mount of Olives (Agony in the Garden), from the Great Passion
Artist not stated in the record · ca. 1498
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers · 1405–1408/1409
A scene from the Passion of Christ (Christ before Pilate)
Cesare Nebbia, Italian, ca. 1536 - 1614 · late 16th century
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)
Artist not stated in the record · late 12th–early 13th century
Agony in the Garden
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580 – 1595
The Agony in the Garden
Nicolas Poussin · 1626–27
Christ Crowned with Thorns, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Plaque with the Descent from the Cross
Artist not stated in the record · ca. 1320–40
The Nativity (Adoration of the Shepherds) from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Hunters Return to the Castle (from the Unicorn Tapestries)
Artist not stated in the record · 1495–1505
The Lamentation, from The Little Passion Series
Albrecht Dürer, German, 1471–1528 · 1509–11
The Adoration of the Shepherds
Andrea Mantegna · shortly after 1450
The Flagellation, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Diptych with Scenes from the Passion of Jesus
Artist not stated in the record · ca. 1350
Christ Carrying the Cross (Road to Calvary), from series The Passion of Christ
Martin Schongauer, German, 1450–1491 · ca. 1485
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio · ca. 1330–35
Christ Driving the Merchants (or Money Changers) from the Temple, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1758 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483880 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 21:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.