Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “The Cable Piano Company, American, founded 1880” — 64 records examined, 39 dropped by the rights gate.
Archives queried 2026-09-01 00:23 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
View of Toledo
El Greco (Domenikos Theotokopoulos) · ca. 1599–1600

Piano from Pilgrim Baptist Church used by Thomas Dorsey
The Cable Piano Company, American, founded 1880 · 1930s

Winchester Model 1886 Takedown Rifle decorated by Tiffany & Co. (serial no. 120528)
Winchester Repeating Arms Company · 1899–1900

Piano bench from Pilgrim Baptist Church used by Thomas Dorsey
The Cable Piano Company, American, founded 1880 · 1930s

Settee
Sir Lawrence Alma-Tadema · ca. 1885

Upright piano used by Thom Bell at Philadelphia International Records
Artist not stated in the record · ca. 1900

Armchair
Pottier and Stymus Manufacturing Company · ca. 1875–76

Interior of Hoyt Mansion, from the album Views of Charlestown, New Hampshire
Gotthelf Pach, active 1880s · 1888

Upright (Cabinet) Piano
M. & W. Stodart · 1801
Submarine telephone cable sample - Martha's Vineyard to Mainland
Western Electric · 1916

The Horse Fair
Rosa Bonheur · 1852–55
Submarine telephone cable sample - Martha's Vineyard to Nantucket
Western Electric · 1916

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Auguste Renoir · 1878

Piano bench owned and used by Thelonious Monk
Artist not stated in the record · 1962

Bonnet
Balch, Price & Company · ca. 1880

Sailor hat
Balch, Price & Company · ca. 1880

Bonnet
Balch, Price & Company · ca. 1880

In the Meadow
Auguste Renoir · 1888–92

Hortensia
Fernand Khnopff · 1884
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 68 matched · 24 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1836173 matched · 40 examined · 33 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.7 shown
These figures describe the pass run at 2026-09-01 00:23 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.