OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “The Coat of Arms of Tschertie” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-03 04:49 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Pair of Four-Barreled Turnover Percussion Pistols of Henry Pelham Fiennes Pelham-Clinton, 4th Duke of Newcastle-under-Lyne (1785–1851), with Pair of Box-Lock Turn-Off Pocket Pistols, Case, and Accessories
James Purdey the Elder · 1831
The Coat of Arms of Tschertie
Artist not stated in the record · ca. 1521
Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories
Wogdon & Barton · 1801–3
Design for the coat of arms of Isabella I of Castile and Ferdinand II of Aragon
Raimundo de Madrazo, Spanish, 1841–1920
Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories
Nicolas Noël Boutet · ca. 1800
Design for the coat of arms of Isabella I of Castile and Ferdinand II of Aragon
Raimundo de Madrazo, Spanish, 1841–1920
Pair of Over-and-Under Tube-Lock Percussion Pistols with Case and Accessories
Durs Egg · ca. 1805–10; converted after 1818
Three Coats of Arms
Jean-Raymond de Petity, French, 1724 – 1780 · 1766
Six-Barreled Pepperbox Disk Primer Pistol with Case and Accessories
Joseph Rock Cooper · ca. 1840–1850
Coat of Arms
Robert Frederick Blum, American, 1857–1903 · 1881
Rapier of Prince-Elector Christian II of Saxony (1583–1611)
Israel Schuech · dated 1606
Design for a Vertical Panel with Heraldic Devices
Artist not stated in the record · 18th century
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Richard Holden · ca. 1683 and later; buff coat, 17th–18th century
Designs for Crowns and Coat of Arms
Nicolas Guérard, French, ca.1648–1719 · ca. 1715
Costume Armor and Sword in the Classical Style
Hallé · ca. 1788–90
Les plaisirs de l'Isle enchantée
Artist not stated in the record · 1664
Pair of Pellet-Lock Pistols with Case with Accessories
Charles Moore · ca. 1825
The Coat of Arms of Pope Gregory XIII (1572-1585)
Artist not stated in the record · 1580–1590
Saber with Scabbard
Artist not stated in the record · grip, 18th or 19th century; guard and scabbard, 19th century; blade, dated A.H. 1099/1688 CE; decoration on blade, 19th century
Goblet Commemorating the Seven United Provinces and Prince William IV, Governor of the Netherlands
Artist not stated in the record · 1747
Dagger with Scabbard
Artist not stated in the record · 1605–27
Design for a Fountain with the Coat-of-Arms of Pope Gregory XVI
Artist not stated in the record · 1831–1836
Presentation Smallsword with Scabbard
James Morisset · hallmarked for 1797–98
Catafalque, with Coat-of-Arms of the Albani Family
Artist not stated in the record · mid- 17th–late 17th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 18819 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2986360 matched · 40 examined · 15 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 04:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.