OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “The Dying Savior” — 64 records examined, 33 dropped by the rights gate.
Archives queried 2026-09-01 02:06 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tara, the Buddhist Savior
Artist not stated in the record · 14th century
The Dying Savior
Artist not stated in the record · 1764
Lucas van Uffel (died 1637)
Anthony van Dyck · ca. 1622
Saint Joseph and the Infant Savior
Artist not stated in the record · ca. 1765–1785
Roundel with Christ as Savior of the World
Artist not stated in the record · 1520–30
The Savior
Henry Ossawa Tanner, born Pittsburgh, PA 1859-died Paris, France 1937 · ca. 1900-1905
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Family register sampler
Artist not stated in the record · 1823
View of Haarlem and the Haarlemmer Meer
Jan van Goyen · 1646
Sampler
Artist not stated in the record · 1838
Hermann von Wedigh III (died 1560)
Hans Holbein the Younger · 1532
Erinaceus europaeus
Artist not stated in the record · 8 Oct 1911
Mexican Girl Dying
Thomas Crawford · By 1846; carved 1848
The Dying Tecumseh
Ferdinand Pettrich, born Dresden, Germany 1798-died Rome, Italy 1872 · modeled ca. 1837-1846, carved 1856
Portrait of a Man with Gloves
Corneille de Lyon · ca. 1535
Unfinished design for a memorial sheet referring to erection of a papal factory (Magazins of Annona)
Filippo Marchionni, Italian, 1732–1805 · 1760–69
Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden · ca. 1460
View of Toledo
El Greco (Domenikos Theotokopoulos) · ca. 1599–1600
The Death of the Virgin (The Dormition)
Tilman Heysacker · late 15th century
Adoration of the Magi from Seven Scenes from the Life of Christ
Artist not stated in the record · ca. 1390
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 9961 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1185434 matched · 40 examined · 32 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.8 shown
These figures describe the pass run at 2026-09-01 02:06 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.