OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “The Entrance of Charles V Into Antwerp” — 64 records examined, 13 dropped by the rights gate.
Archives queried 2026-09-05 10:58 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Helmet, Breastplate, and Backplate
D. G. V. Lochorst · ca. 1575
The Entrance of Charles V Into Antwerp
Artist not stated in the record · 1879
A Woodland Road with Travelers
Jan Brueghel the Elder · 1607
Portrait of Reginaldus Cools, Bishop of Antwerp
Artist not stated in the record · ca. 1700-1730
Vitellius tazza
Artist not stated in the record · ca. 1587–99, foot added after mid-19th century
Fish Market, Antwerp
Charles Joseph Hullmandel, British, 1789–1850 · 1839
Cabasset
Artist not stated in the record · ca. 1580–90
Sepulchral Chamber
Artist not stated in the record · ca. 1800
Fish Market
Joachim Beuckelaer · 1568
The Entrance of Christ into Jerusalem, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
James Stuart (1612–1655), Duke of Richmond and Lennox
Anthony van Dyck · ca. 1633–35
Entrance of the Tejon Pass and a Portion of the Tejon
Artist not stated in the record · 1856
Charity
Claudius Floris · 1536–1547/48
Mountains Near the Entrance of the Canada de las Uvas
Tucker, Beverley · 1856
The Smokers
Adriaen Brouwer · ca. 1636
The Entrance of His Majesty Louis XVIII into Paris, 3rd May, 1814
Richard Holmes Laurie, English, 1777 - 1858 · 1820
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher · ca. 1522
Title Page, "Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc."
Charles Joseph Hullmandel, British, 1789–1850 · 1839
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers · 1405–1408/1409
Aliciella nyensis (Reveal) J.M. Porter
Artist not stated in the record · 17 Jun 1967
The Feast of Acheloüs
Peter Paul Rubens · ca. 1615
St John the Baptist in the Wilderness
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1588
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
Peter Paul Rubens · ca. 1635
Missile, Cruise, V-1 (Fi 103, FZG 76)
Gerhard Fieseler Werke GmbH
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 654 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3205427 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 10:58 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.