OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 14 shown for “The Harrowing of Hell” — 64 records examined, 40 dropped by the rights gate.

Archives queried 2026-09-02 19:19 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
The Harrowing of Hell

The Harrowing of Hell

Artist not stated in the record · ca. 1390

Public domainThe Met
Christ in Limbo (The Harrowing of Hell), by Albrecht Dürer, German, 1471–1528

Christ in Limbo (The Harrowing of Hell)

Albrecht Dürer, German, 1471–1528 · 1510

CC0 (public-domain equivalent)Smithsonian
Panel with the Harrowing of Hell

Panel with the Harrowing of Hell

Artist not stated in the record · 1340–50

Public domainThe Met
Christ in Limbo (Harrowing of Hell), from The Little Passion Series, by Albrecht Dürer, German, 1471–1528

Christ in Limbo (Harrowing of Hell), from The Little Passion Series

Albrecht Dürer, German, 1471–1528 · 1509–11

CC0 (public-domain equivalent)Smithsonian
Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas

Artist not stated in the record · early 15th century

Public domainThe Met
The Resurrection of Christ and the Harrowing of Hell, by Russian Painter

The Resurrection of Christ and the Harrowing of Hell

Russian Painter

Public domainThe Met
The Resurrection of Christ and the Harrowing of Hell, by Russian Painter

The Resurrection of Christ and the Harrowing of Hell

Russian Painter

Public domainThe Met
Christ's Descent into Hell, by Hieronymus Bosch

Christ's Descent into Hell

Hieronymus Bosch

Public domainThe Met
Architectural Canopy

Architectural Canopy

Artist not stated in the record · ca. 1390

Public domainThe Met
Capital

Capital

Artist not stated in the record · late 12th century

Public domainThe Met
Stove, by David II Pfau

Stove

David II Pfau · ca. 1684–85

Public domainThe Met
The Agony in the Garden

The Agony in the Garden

Artist not stated in the record · ca. 1390

Public domainThe Met
Scenes from the Life of Christ: Arrest of Christ, Christ in Limbo; Descent from the Cross, Preparation of Christ’s Body for His Entombment

Scenes from the Life of Christ: Arrest of Christ, Christ in Limbo; Descent from the Cross, Preparation of Christ’s Body for His Entombment

Artist not stated in the record · 13th century

Public domainThe Met
The Baptism of Christ

The Baptism of Christ

Artist not stated in the record · ca. 1390

Public domainThe Met
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 289 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 2983727 matched · 40 examined · 38 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.2 shown

These figures describe the pass run at 2026-09-02 19:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.