OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “The Little Executioner, illustration to John Evelyn, "Sculptura"” — 51 records examined, 22 dropped by the rights gate.

Archives queried 2026-09-06 06:37 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
The Crucifixion, by Master of the Codex of Saint George

The Crucifixion

Master of the Codex of Saint George · ca. 1330–35

Public domainThe Met
The Little Executioner, illustration to John Evelyn, "Sculptura"

The Little Executioner, illustration to John Evelyn, "Sculptura"

Artist not stated in the record · 1662

CC0 (public-domain equivalent)Smithsonian
The Lamentation, by Master of the Codex of Saint George

The Lamentation

Master of the Codex of Saint George · ca. 1330–35

Public domainThe Met
The Execution by Gunpowder of Hendrik Eemkens in 1562 in Utrecht, design for illustration in T.J. van Bragt, "Het bloedig tooneel, of Martelaers spiegel der doopsgesinde of weereloose christenen (The Mirror of Martyrs), 1685., by Jan Luyken, Dutch, 1649 - 1712

The Execution by Gunpowder of Hendrik Eemkens in 1562 in Utrecht, design for illustration in T.J. van Bragt, "Het bloedig tooneel, of Martelaers spiegel der doopsgesinde of weereloose christenen (The Mirror of Martyrs), 1685.

Jan Luyken, Dutch, 1649 - 1712 · 1683-1685

CC0 (public-domain equivalent)Smithsonian
The Crucifixion, by Pietro Lorenzetti

The Crucifixion

Pietro Lorenzetti · 1340s

Public domainThe Met
Beheading of John the Baptist

Beheading of John the Baptist

Artist not stated in the record · 1510

CC0 (public-domain equivalent)Smithsonian
Christ Appearing to His Mother, by Juan de Flandes

Christ Appearing to His Mother

Juan de Flandes · ca. 1496

Public domainThe Met
The Beheading of John the Baptist, by Rembrandt Harmensz van Rijn, Dutch, 1606–1669

The Beheading of John the Baptist

Rembrandt Harmensz van Rijn, Dutch, 1606–1669 · ca. 1631

CC0 (public-domain equivalent)Smithsonian
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, by Jean Le Noir

The Prayer Book of Bonne of Luxembourg, Duchess of Normandy

Jean Le Noir · before 1349

Public domainThe Met
Salome given the Head of John the Baptist [left]; Salome offers the Head of John the Baptist to her Parents [right], by Jan van der Straet, called Stradanus, Flemish, 1523–1605

Salome given the Head of John the Baptist [left]; Salome offers the Head of John the Baptist to her Parents [right]

Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before

CC0 (public-domain equivalent)Smithsonian
Venice, from the Porch of Madonna della Salute, by Joseph Mallord William Turner

Venice, from the Porch of Madonna della Salute

Joseph Mallord William Turner · ca. 1835

Public domainThe Met
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · April 5, 1945

CC0 (public-domain equivalent)Smithsonian
The Great Executioner with the Head of Saint John the Baptist, by Prince Rupert of the Rhine

The Great Executioner with the Head of Saint John the Baptist

Prince Rupert of the Rhine · 1658

Public domainThe Met
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · July 24, 1945

CC0 (public-domain equivalent)Smithsonian
Whalers, by Joseph Mallord William Turner

Whalers

Joseph Mallord William Turner · ca. 1845

Public domainThe Met
Hand-illustrated cover

Hand-illustrated cover

Artist not stated in the record · c. 1944

CC0 (public-domain equivalent)Smithsonian
The Crucifixion, by Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)

The Crucifixion

Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) · ca. 1400

Public domainThe Met
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · November 9, 1945

CC0 (public-domain equivalent)Smithsonian
Salome, by Henri Regnault

Salome

Henri Regnault · 1870

Public domainThe Met
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · September 25, 1944

CC0 (public-domain equivalent)Smithsonian
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · November 17, 1945

CC0 (public-domain equivalent)Smithsonian
Letter from Jack Fogarty to Mary MacDonald

Letter from Jack Fogarty to Mary MacDonald

Artist not stated in the record · October 27, 1945

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 11 matched · 11 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 1957902 matched · 40 examined · 21 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-06 06:37 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.