OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “The Mother Goddess Men Brajut (Hariti)” — 56 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-03 00:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Mother Goddess Men Brajut (Hariti)
Artist not stated in the record · 14th–15th century
Sketchbook Page: O Goddess! Mother!
Kenyon Cox, American, 1856–1919 · 1883
Rondel with the Goddess Hariti
Artist not stated in the record · ca. 1st century
Pleated fan
Artist not stated in the record · ca. 1730
Terracotta bell-krater (bowl for mixing wine and water)
Persephone Painter · ca. 440 BCE
Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City)
Abraham Bosse, French, 1602–1676 · 1633
Terracotta neck-amphora (jar)
Exekias · ca. 530 BCE
Pleated fan and case
Artist not stated in the record · ca. 1740
Panel with immortals
Artist not stated in the record · 18th century
Man the Farmer, Diana the Goddess of the Hunt, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian, 1758–1823 · 1787–1802
Deceased censing and libating to the deified Mentuhotep and Ahmose-Nefertari, with the Hathor cow emerging from the mountain; Tomb of Ameneminet
Charles K. Wilkinson · 1924–1925; original ca. 1300–1080 BCE
Venus Beside the Sleeping Adonis
Artist not stated in the record · ca. 1700
Bed curtain border
Artist not stated in the record · first quarter 19th century
Rebecca and Eliezer at the Well
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580–1605
Towel border
Artist not stated in the record · early 19th century
Dedication Page to Charles III of Spain and the Two Sicilies, frontispiece for Paolantonio Paoli, Rovine della città di Pesto detta ancora Posidonia (1784)
Giovanni Battista Tiepolo, Italian, 1692 - 1770 · ca. 1765
Bed curtain border
Artist not stated in the record · early 19th century
Nero Finding the Body of His Mother, Agrippina
Antonio Giuseppe Basoli, Italian, 1774–1843 · 1800–20
Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
Peter Paul Rubens · ca. 1635
![Diana and Actaeon [above]; Dido and Aeneas Shelter from the Storm [below], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-7861_03-000001.jpg&w=3840&q=75)
Diana and Actaeon [above]; Dido and Aeneas Shelter from the Storm [below]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1589 – 1605
Raising the Alms-Bowl
unidentified artist · 17th–18th century
A Sleeping Man and Mother with Baby
Giuseppe Bernardino Bison, Italian, 1762 - 1844 · 1780–1800
Loving Couple (Mithuna)
Artist not stated in the record · 1st–2nd century
The Genius of the Painter
Giovanni Giacomo de'Rossi, Italian, 1627 - 1691 · 1645–47
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 16 matched · 16 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1213846 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 00:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.