Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “The Resurrection” — 64 records examined, 27 dropped by the rights gate.
Archives queried 2026-09-02 02:24 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
Artist not stated in the record · 1300–1325

The Resurrection
Artist not stated in the record · ca. 1690-1700

Christ before Pilate; The Resurrection
Ludwig Schongauer

Fragment
Artist not stated in the record · ca. 1700

The Resurrection
Artist not stated in the record · dated 1375

The Resurrection
Artist not stated in the record · ca. 1650

The Resurrection
Artist not stated in the record · 15th century

The Resurrection, from The Little Passion Series
Albrecht Dürer, German, 1471–1528 · 1509–1511

The Resurrection
Perugino (Pietro di Cristoforo Vannucci)

The Resurrection of Lazarus
Artist not stated in the record · ca. 1508

The Resurrection
Spanish (Aragonese) Painter

View of the Interior of the Church of St. John the Baptist, Brooklyn, Looking Toward the Apse
Trombetta Studio, American, Brooklyn · 1902

The Resurrection
Artist not stated in the record · 1520–30

Orphrey band
Artist not stated in the record · 16th century

The Judgment of Solomon
Artist not stated in the record · mid-16th century

Bonad
Artist not stated in the record · 1775–1825

Roundel with the Resurrection
Artist not stated in the record · 1480–90

Religious Allegory
Artist not stated in the record · ca. 1600

The Resurrection (one of seven)
Jean II Pénicaud · mid-16th century

Studies after Lunettes by
Felice Giani, Italian, 1758–1823 · 1814

Resurrection
Wenceslaus Hollar · 1644–52

Design for a Chapel Wall
Giovanni Battista della Rovere, Italian, ca. 1561–ca. 1630 · late 16th century

Manuscript Leaf with Initial R, from a Gradual
Artist not stated in the record · second quarter 15th century

Sheath for a Cutlery Set
Artist not stated in the record · 1555
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 382 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1183657 matched · 40 examined · 25 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 02:24 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.