OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “The Triumph of Time over Fame” — 64 records examined, 34 dropped by the rights gate.
Archives queried 2026-08-27 07:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Triumph of Time over Fame
Artist not stated in the record · ca. 1500–1530
Sampler
Artist not stated in the record · 1825
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Design for a Painted Ceiling: Triumph of Meekness and Strength
Francesco Manno, Italian, 1754 - 1831 · ca. 1780
The Triumph of Marius
Giovanni Battista Tiepolo · 1729
Hull
Artist not stated in the record · 1813–14
The Triumph of Fame
Artist not stated in the record · ca. 1502–4
Sheet from a Sketchbook: Triumph of Silenus and Triumph of Bacchus and Ariadne
Felice Giani, Italian, 1758–1823 · 1800–1802
The Triumph of Love over Time
Jean-Baptiste Lepaute · ca. 1780–90
The Triumph of Venus designed for the bedroom of Palazzo Milzetti, Faenza
Felice Giani, Italian, 1758–1823 · 1802
Fame
Luca Cambiaso · mid- to late 16th century
Decorative Project for Ceiling: Tondo with Triumph of Cerus
Felice Giani, Italian, 1758–1823
The Harvesters
Pieter Bruegel the Elder · 1565
Denim bucket hat worn by Jimmie Walker as J.J. Evans on Good Times
Rita Riggs, American, born 1930 · 1974-1979
The Triumph of Henry IV
Peter Paul Rubens · ca. 1630
Birth of Bacchus; triumph of Bacchus and Arianna; Triumph of Silos
Felice Giani, Italian, 1758–1823
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
The Adoration of the Shepherds
Andrea Mantegna · shortly after 1450
The Annunciation
Botticelli (Alessandro di Mariano Filipepi) · ca. 1490
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5390 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2988770 matched · 40 examined · 32 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.8 shown
These figures describe the pass run at 2026-08-27 07:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.