Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Theodor van Kessel” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-27 21:35 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel · 1646–52

And Teddy (Roosevelt) Comes Marching Home
Eugene Zimmerman, 1862 - 1935 · 1898

Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment, after Reni
Theodor van Kessel · ca. 1656–60

Limosa fedoa beringiae Gibson & Kessel
Artist not stated in the record · 11 Jun 1983

Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey
Theodor van Kessel · ca. 1652–60

Thymus alpestris (Čelak.) Tausch ex A. Kern.
Artist not stated in the record

Plate 13, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel · 1646–52

Dianthus speciosus (Rchb.) Rchb.
Artist not stated in the record · Aug 1911

Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Theodor van Kessel · 1646–52

Carex montana L.
Artist not stated in the record · Jul 1932

Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"
Theodor van Kessel · 1646–52

Poa alpina L.
Artist not stated in the record · Transcribed d/m/y: /8/78

Plate 27, from "Modelli Artificiosi (...), parte seconda"
Theodor van Kessel · 1646–52

Diplazium vitiense
Artist not stated in the record · Nov 1893

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894)
Gustave Courbet · 1858

Diplazium vitiense
Artist not stated in the record · Nov 1893

Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd)
Claes Jansz. Visscher · 1628

Sphaeropteris vaupellii (Copel.)
Artist not stated in the record · May 1894

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

Carex buxbaumii Wahlenb.
Artist not stated in the record · Jul 1933

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930)
Vincent van Gogh · 1889

Carex aterrima Hoppe
Artist not stated in the record · Jul 1933

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)
Vincent van Gogh · 1888–89

Crepis mollis (Jacq.) Asch.
Artist not stated in the record · Jul 1935
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 366 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 35949 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 21:35 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.