OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Thomas How” — 64 records examined, 14 dropped by the rights gate.

Archives queried 2026-08-28 04:14 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Pair of side chairs, by Thomas How

Pair of side chairs

Thomas How · ca. 1724–36

Public domainThe Met
Side Chair with Coat of Arms of Fourth Earl of Scarsdale, by Thomas How, British, active 1710 - 33

Side Chair with Coat of Arms of Fourth Earl of Scarsdale

Thomas How, British, active 1710 - 33 · 1724–36

CC0 (public-domain equivalent)Smithsonian
The Garden of the Tuileries on a Spring Morning, by Camille Pissarro

The Garden of the Tuileries on a Spring Morning

Camille Pissarro · 1899

Public domainThe Met
Men of Progress, by Christian Schussele, 16 Apr 1824 - 1879

Men of Progress

Christian Schussele, 16 Apr 1824 - 1879 · c. 1859

CC0 (public-domain equivalent)Smithsonian
"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja, by Nizami

"How a Braggart was Drowned in a Well", Folio 33v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami of Ganja

Nizami · ca. 1430

Public domainThe Met
Men of Progress, by John Sartain, 24 Oct 1808 - 25 Oct 1897

Men of Progress

John Sartain, 24 Oct 1808 - 25 Oct 1897 · 1863

CC0 (public-domain equivalent)Smithsonian
Mrs. Grace Dalrymple Elliott (1754?–1823), by Thomas Gainsborough

Mrs. Grace Dalrymple Elliott (1754?–1823)

Thomas Gainsborough · 1778

Public domainThe Met
Men of Progress, by Christian Schussele, 16 Apr 1824 - 1879

Men of Progress

Christian Schussele, 16 Apr 1824 - 1879 · 1862

CC0 (public-domain equivalent)Smithsonian
Pedestal, by Thomas How

Pedestal

Thomas How · ca. 1725–35

Public domainThe Met
Dasysiphonia collinsiana (M. Howe) M.M.Cassidy et al.

Dasysiphonia collinsiana (M. Howe) M.M.Cassidy et al.

Artist not stated in the record · 3 Jul 1964

CC0 (public-domain equivalent)Smithsonian
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket

Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket

Artist not stated in the record · ca. 1173–80

Public domainThe Met
Udotea flabellum (J. Ellis & Sol.) M. Howe

Udotea flabellum (J. Ellis & Sol.) M. Howe

Artist not stated in the record · 30 Jan 1955

CC0 (public-domain equivalent)Smithsonian
The Last Moments of John Brown, by Thomas Hovenden

The Last Moments of John Brown

Thomas Hovenden · 1882–84

Public domainThe Met
Gracilaria mammillaris (Mont.) M. Howe in Britton

Gracilaria mammillaris (Mont.) M. Howe in Britton

Artist not stated in the record · Transcribed d/m/y: 3/4/77

CC0 (public-domain equivalent)Smithsonian
Traveling clock watch with alarm, by Thomas Tompion

Traveling clock watch with alarm

Thomas Tompion · ca. 1680

Public domainThe Met
Avrainvillea levis M. Howe

Avrainvillea levis M. Howe

Artist not stated in the record

CC0 (public-domain equivalent)Smithsonian
The Fieschi Morgan Staurotheke

The Fieschi Morgan Staurotheke

Artist not stated in the record · early 9th century

Public domainThe Met
Caulerpa sertularioides (S.G. Gmel.) M. Howe

Caulerpa sertularioides (S.G. Gmel.) M. Howe

Artist not stated in the record · 20 Mar 1930

CC0 (public-domain equivalent)Smithsonian
How to Escape Losing, by Thomas Rowlandson

How to Escape Losing

Thomas Rowlandson · November 22, 1791

Public domainThe Met
Udotea flabellum (J. Ellis & Sol.) M. Howe

Udotea flabellum (J. Ellis & Sol.) M. Howe

Artist not stated in the record · 4 Jun 1995

CC0 (public-domain equivalent)Smithsonian
How to Pluck a Goose, by Thomas Rowlandson

How to Pluck a Goose

Thomas Rowlandson · June 10, 1802

Public domainThe Met
Udotea flabellum (J. Ellis & Sol.) M. Howe

Udotea flabellum (J. Ellis & Sol.) M. Howe

Artist not stated in the record · 29 Nov 1976

CC0 (public-domain equivalent)Smithsonian
How to Escape Winning, by Thomas Rowlandson

How to Escape Winning

Thomas Rowlandson · November 22, 1791

Public domainThe Met
Galaxaura rugosa (Ellis & Sol.) J.V.Lamouroux

Galaxaura rugosa (Ellis & Sol.) J.V.Lamouroux

Artist not stated in the record · 5 Mar 1909

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 511 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 130857 matched · 40 examined · 12 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-28 04:14 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.