Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Thomas Sully's palette” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-09-01 16:49 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Mother and Son
Thomas Sully · 1840

Thomas Sully's palette
Artist not stated in the record · c. 1840

Mrs. John Biddle (Eliza Falconer Bradish)
Thomas Sully · 1818

Sully's Studio
John Moran, Feb 1831 - 19 Feb 1902 · 1865

Queen Victoria
Thomas Sully · 1838

Thomas Sully
Auguste Edouart, 1788 - 1861 · 1843

Marble palette
Artist not stated in the record · ca. 3200–2800 BCE

Thomas Sully
Unidentified Artist · 1854

A Cowherd at Valhermeil, Auvers-sur-Oise
Camille Pissarro · 1874

Thomas Sully
Unidentified Artist · c. 1865

The Garden of the Tuileries on a Spring Morning
Camille Pissarro · 1899

Alma Thomas's Painting Tools
Artist not stated in the record · mid 20th Century

Horseman Addressing Two Women; Palette, Brushes in Artist's Hands, Picture and Easel Beyond; Putto Blowing Clarion (from Sketchbook)
Thomas Sully · 1810–20

Thomas Sully's price list
Artist not stated in the record · February 27, 1830

Diagram of the Colors Used to Paint the Portrait of Queen Victoria
Thomas Sully · ca. 1838

Thomas Moran's palette
Artist not stated in the record · 19th century

Alfred Sully
Thomas Sully · ca. 1839

Thomas Moran's Box of Palettes and Brushes
Unidentified

Benjamin Rush M.D. L.L.D.
William Satchwell Leney · 1814

Thomas Ash II
Thomas Sully, 19 Jun 1783 - 5 Nov 1872 · 1807

Mrs. Thomas Sully (Sarah Annis)
Thomas Sully · ca. 1802
Charles Stewart
Thomas Sully, 19 Jun 1783 - 5 Nov 1872 · 1817

Saints Matthias and Thomas
Bartolomeo Bulgarini · ca. 1370–75

Thomas Nast Self-Portrait
Thomas Nast, 27 Sep 1840 - 7 Dec 1902 · 1902
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 357 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 120102 matched · 40 examined · 27 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 16:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.