OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Three-light wall bracket (one of a set of six)” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-08-29 00:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Three-light wall bracket (one of a set of six)
Artist not stated in the record · ca. 1760
Design for a Buffet
Pierre Cottart, French, ca. 1630 – 1701 · ca.1680–1703
Projet de Porte d'Appartement fait pour M.e la Baronne de Bezenval
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1740
Design for Three Wall Brackets with Vases
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1745
Designs for a Console Table and Wall Brackets
Nicolas Pineau, French, 1684-1754 · mid- 18th century
Design for a wall of a ballroom
Louis René Boquet, French, 1717 - 1814 · 1770
Sidewall - sample
Gledhill Wall Paper Co., New York, New York, founded 1900 · 1906–07
Three-light wall brackets (set of four)
F. L. Feuchère père · late 18th or early 19th century
Designs for Buffets
Pierre Cottart, French, ca. 1630 – 1701 · ca.1680–1710
Set of four three-light wall brackets
Artist not stated in the record · ca. 1785
Elevation of Wall with Three Niches
Richard de Lalonde, French, active 1780–96 · 1780
Armchair (one of a set of six)
John Mayhew · 1769–71
Salon Interior
A. Redkovsky, Russian, active mid–19th century · 1858
Wall bracket
George A. Schastey & Co. · 1881–82
Design for Two Snuffboxes, Three Watchcase Lids, and Three Wall Brackets
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1745
Set of four three-light sconces (bras de lumière)
Artist not stated in the record · ca. 1787–88
![Le Soir [The Evening]](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-1968-113-4MattFlynn.jpg&w=3840&q=75)
Le Soir [The Evening]
Artist not stated in the record · ca. 1855
Boiserie from the Hôtel Lauzun
Artist not stated in the record · ca. 1770, with one modern panel
Project: A scaffolding for the exhibition of the Host (or of a relic)
Artist not stated in the record · 1750–1780
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2103 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3968572 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 00:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.