OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Token of Andrew Johnson” — 64 records examined, 14 dropped by the rights gate.
Archives queried 2026-09-06 05:08 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Token of Andrew Johnson
Artist not stated in the record · ca. 1876
Station G Brooklyn, New York Owney tag
Artist not stated in the record · April 12, 1894
Davida Johnson Clark
Augustus Saint-Gaudens · 1886
Andrew Johnson
McClees & Vannerson, active 1857 - 1860 · c. 1859
Token of Andrew Jackson
Artist not stated in the record · ca. 1876
Andrew Johnson
Alexander Gardner, 17 Oct 1821 - 10 Dec 1882 · 1865
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Andrew Johnson
John C. McRae, active 1850 - 1880 · c. 1865
Armor Garniture of George Clifford (1558–1605), Third Earl of Cumberland
Jacob Halder · 1586
Andrew Johnson
Thomas Nast, 27 Sep 1840 - 7 Dec 1902 · 1873
Saddle
Artist not stated in the record · ca. 1400–1420
Andrew Johnson
Anthony C. Paquet, 1814 - 1882 · 1865
Andrew Johnson
Alexander Gardner, 17 Oct 1821 - 10 Dec 1882 · 1865
Left Gauntlet of Henry (1594–1612), Prince of Wales
Jacob Halder · ca. 1608
Andrew Johnson
Ehrgott & Forbriger Lithography Company, active 1856 - 1869 · c. 1862
Saint Francis in Ecstasy
Giovanni Benedetto Castiglione (Il Grechetto) · ca. 1650
Andrew Johnson
Irwin & Sartain · 1865
Basket of Flowers
Eugène Delacroix · 1848–49
Andrew Johnson
Jacques Reich, 10 Aug 1852 - 8 Jul 1923 · c. 1899-1920
Thou Art the Brightest Jewel in My Crown
Thomas Nast · originally published 1868
Andrew Johnson
Peter Kramer, 1823 - 1907 · c. 1865
The Last Supper
Ugolino da Siena (Ugolino di Nerio) · ca. 1325
Andrew Johnson
Zorn & Company, active 1860 - 1870? · c. 1865-69
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 89 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2884995 matched · 40 examined · 11 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 05:08 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.