OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Tomb Chapel of Raemkai: East Wall” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-08-26 18:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tomb Chapel of Raemkai: East Wall
Artist not stated in the record · ca. 2446–2389 BCE
Projet de la chapelle de St. Sulpice de Paris (Design for the St. Sulpice Chapel of Paris), plate 101, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier)
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1748
Tomb Chapel of Raemkai: South Wall
Artist not stated in the record · ca. 2446–2389 BCE
Tomb Portrait of Queen Isabella I of Castile
Raimundo de Madrazo, Spanish, 1841–1920
Tomb Chapel of Raemkai
Artist not stated in the record · ca. 2446–2389 BCE
Elevation of a Tomb
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Tomb Chapel of Raemkai: North Wall
Artist not stated in the record · ca. 2446–2389 BCE
Project for the decoration of a chapel
Artist not stated in the record · 1700–1730
Tomb Chapel of Raemkai: West Wall
Artist not stated in the record · ca. 2446–2389 BCE
Decoration of the Fireplace Wall in Engrance Hall Hotel Roquelaure, Towards the Chapel
Jean-Baptiste Le Roux, French, ca. 1677-1746 · ca. 1727
Tomb Chapel of Raemkai: False Door on West Wall
Artist not stated in the record · ca. 2446–2389 BCE
Stage Design, View into Apse
Artist not stated in the record · early 18th century
Mastaba Tomb of Perneb
Artist not stated in the record · ca. 2381–2323 BCE
Design for a Chapel Wall
Giovanni Battista della Rovere, Italian, ca. 1561–ca. 1630 · late 16th century
Relief from the North Wall of a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Section of the Wall of a Nunnery Chapel with the Choir
Artist not stated in the record · 18th century
Tomb chapel of Raemkai: west wall, offering bearers
Artist not stated in the record · ca. 2446–2389 BCE
Abel's Tomb, Syria
Frederic Edwin Church, American, 1826–1900 · May 4, 1868
Relief from the West Wall of a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Oratory Chapel
Artist not stated in the record · 1794
Tomb chapel of Raemkai: North wall of the entrance corridor
Artist not stated in the record · ca. 2446–2389 BCE
Tomb Designs
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Tomb chapel of Raemkai: South wall of the entrance corridor
Artist not stated in the record · ca. 2446–2389 BCE
The Tomb of Clara-Maria of Saxony
Giovanni Folo · ca. 1800-1810
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 250 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2919352 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 18:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.