OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Tondo Group” — 40 records examined, 5 dropped by the rights gate.
Archives queried 2026-08-27 01:09 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.The Metropolitan Museum of Art: HTTP 403 from collectionapi.metmuseum.org. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.
![Erminia and Vafrino Tending the Wounded Tancred after the Battle of Argento [Tancrède secouru par Herminie et Vafrin après le combat d'Argante], by Jean-François de Troy, French, 1679–1752](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-CHD2721.jpg&w=3840&q=75)
Erminia and Vafrino Tending the Wounded Tancred after the Battle of Argento [Tancrède secouru par Herminie et Vafrin après le combat d'Argante]
Jean-François de Troy, French, 1679–1752 · 1720–30
Design for a Tondo with Arms of Cardinal Giulio della Rovere
Niccolò Martinelli, called il Trometta, Italian, 1565 – 1620 · 1566–78
Design for a Plate or a Tondo: Soldiers supplicant before a Roman General
Taddeo Zuccaro, Italian, 1529 - 1566 · mid-16th century
Decorative Project for Ceiling: Tondo with Triumph of Cerus
Felice Giani, Italian, 1758–1823
Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy
Carlo Spagna, Italian, ca. 1641 - 1680 · 1670–72
Decorative Project for Central Tondo with Apollo, Autumn and Winter
Felice Giani, Italian, 1758–1823 · ca. 1780
Justice and Peace
Felice Giani, Italian, 1758–1823
Oscillatoria princeps Vaucher
Artist not stated in the record · 24 Oct 1949
Porphyrosiphon notarisii Kütz. ex Gomont
Artist not stated in the record · 3 Aug 1949
Porphyrosiphon notarisii Kütz. ex Gomont
Artist not stated in the record · 30 Oct 1949
Oscillatoria princeps Vaucher
Artist not stated in the record · 27 Nov 1949
Coccochloris stagnina
Artist not stated in the record · 3 Aug 1949
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. HTTP 403 from collectionapi.metmuseum.org. No records from this archive are shown for this query.Unavailable - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 124450 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 01:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.