OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Triptych with the Passion of Christ” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-27 01:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Triptych with the Passion of Christ
Artist not stated in the record · ca. 1475–85
Three Stages of the Passion: The Mockery, Christ before Pilate, Flagellation
Francesco Coghetti, Italian, 1804 - 1875 · ca. 1848
Triptych with Scenes from the Passion of Christ
Master Pertoldus · 1494
Project for Trophies with the Arms of the Passion
Artist not stated in the record · 1825–1830
Annunciation Triptych (Merode Altarpiece)
Robert Campin · ca. 1427–32
The Mocking of Christ, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Christ Crowned with Thorns, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte) · ca. 1590
The Taking of Christ, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David · ca. 1510
Christ on the Mount of Olives (The Agony in the Garden), from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Booklet with Scenes of the Passion
Artist not stated in the record · ca. 1300 (carving); ca. 1310–20 (painting)
Christ Bearing the Cross, from The Little Passion Series
Artist not stated in the record · 1509
Shrine
Matthias Walbaum · 1598–1600
The Last Summer, from The Little Passion Series
Artist not stated in the record · ca. 1508–1509
Blanket Chest
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1835–75
Christ Driving the Merchants (or Money Changers) from the Temple, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Revolving Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1840–70
Christ Taking Leave of His Mother, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Triptych Panel with Pietá
Master of the Triptych of Louis XII · 15th–16th century
Christ before Pilate, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
The Penitence of Saint Jerome
Joachim Patinir · ca. 1515
Christ before Herod, from The Little Passion Series
Artist not stated in the record · 1509
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 3752 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3015699 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 01:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.