OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Trophy (part of a set)” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-04 03:07 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Trophy (part of a set)
Artist not stated in the record · 18th century
Plate 1 from a Set of 6, "Decoration d'une porte double à placard"
Jacques-François Blondel, French, 1705–1774 · ca. 1727
Three tombs
Giuseppe Barberi, Italian, 1746–1809 · 1796
Panel with Byzantine Ivory Carving of the Crucifixion
Artist not stated in the record · 10th century (ivory); late 11th century (setting)
Design for a Stove
Richard de Lalonde, French, active 1780–96 · 1780-1789
Settee (part of a set)
Nicolas-Quinibert Foliot · ca. 1754–56
Three monuments
Giuseppe Barberi, Italian, 1746–1809 · 1793
Armchair (part of a set)
Georges Jacob · ca. 1780–90
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Sofa (part of a set)
Filippo Pelagio Palagi · ca. 1835
One of a set of trophies of weapons of war as a decoration of a horizontal panel.
Francesco Bedeschini, Italian · 1675-1699
Armchair (bergère) (part of a set)
Jean-Baptiste-Claude Sené · ca. 1788
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Small settee (Marquise) (part of a set)
Georges Jacob · ca. 1785
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Armchair (fauteuil à la reine) (part of a set)
Nicolas-Quinibert Foliot · ca. 1754–56
One of a set of trophies of weapons of war as a decoration of a horizontal panel.
Francesco Bedeschini, Italian · 1675-1699
Commode (commode à vantaux) (part of a set)
Adam Weisweiler · ca. 1790
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Daybed (Lit de repos or sultane) (part of a set)
Jean-Baptiste-Claude Sené · 1788
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Armchair (Fauteuil à la reine) (one of a pair) (part of a set)
Georges Jacob · ca. 1780–85
One of a set of trophies of weapons of war as a decoration for a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 4405 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3857774 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 03:07 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.