Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “United States Express Company receipt” — 64 records examined, 33 dropped by the rights gate.
Archives queried 2026-08-31 19:48 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Philip IV (1605–1665), King of Spain
Velázquez (Diego Rodríguez de Silva y Velázquez) · probably 1624

United States Express Company receipt
Artist not stated in the record · October 23, 1858

The Magnolia Vase
Tiffany & Co. · 1893

United States Express Company receipt
Artist not stated in the record · October 27, 1858

Ewer and Plateau
Gorham Manufacturing Company · 1901

receipt for package
Artist not stated in the record · February 12, 1872

The Express Train
Charles Parsons · 1859

5c Documentary Express revenue stamp single on Adams Express Company’s receipt
Artist not stated in the record · February 6, 1863

Bar Thuldy's Statue: Liberty Frightenin de World
Currier & Ives · 1886

Receipt for mail to be delivered on March 24, 1970
Artist not stated in the record · c. 1970

Express Wagon #420
Brewster & Co. · 1850–70

Receipt for mail to be delivered on March 24
Artist not stated in the record · c. 1970

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair
Sir Joshua Reynolds · 1761–66

Military express rider receipt
Artist not stated in the record · August 26, 1794

Cape Horn near Celilo
Carleton E. Watkins · 1867

Military express receipt
Artist not stated in the record · October 24, 1794

Teakettle
John C. Moore · 1850

United States Express Company C.O.D. cover
Artist not stated in the record · April 4, 1896

Winchester Model 1886 Takedown Rifle decorated by Tiffany & Co. (serial no. 120528)
Winchester Repeating Arms Company · 1899–1900

Burlington mail car model
Artist not stated in the record · c. 1930-1970

Smith & Wesson .44 Double-Action Frontier Model Revolver decorated by Tiffany & Co. (serial no. 8401), with Case and Cleaning Rod
Smith & Wesson · ca. 1893

United States Express Company postal card
Artist not stated in the record · September 12, 1899

United States Express Company advertising cover send to J. Hibbler
Artist not stated in the record · September 22
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 251 matched · 24 examined · 13 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.11 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 5483608 matched · 40 examined · 20 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 19:48 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.