Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Unknown, Italian” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-28 02:27 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Calvary
Unknown · ca. 1790

Plan of the Casino and Gardens of Giovenazzo
Unknown, Italian · ca. 1750

Veduta del Rio di Torcello
Unknown · 1870s

Proscenium and Plan for a Stage
Unknown, Italian · 1725–50

Castellamarre, Panorama
Unknown · ca. 1870

Design for a Lantern on a Gondola
Unknown, Italian · mid-18th century

Fräulein Maffei
Unknown · 1860s

Design for a Painted Porcelain Soup Plate
Artist not stated in the record · 1787–1800

Benediction of the Pope on Easter Sunday
Unknown · 1880s

Design for a Sepulchral Monument
Unknown, Italian · 1620-1630
![[Studio Portrait: Man Carrying Shovel and Basket of Greens], by Unknown](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP-15801-021.jpg&w=3840&q=75)
[Studio Portrait: Man Carrying Shovel and Basket of Greens]
Unknown · 1860s–70s

Design for the Cresting on the Back of a Coach
Artist not stated in the record · 1833–40
![[Studio Portrait: Man Wearing Carnival Mask, Venice], by Unknown](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP-15801-019.jpg&w=3840&q=75)
[Studio Portrait: Man Wearing Carnival Mask, Venice]
Unknown · 1860s–70s

Design for a Domed Classical Temple with Portico
Unknown, Italian · ca. 1780
![[Studio Portrait: Man Holding Basket of Oysters?, Venice], by Unknown](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP-15801-017.jpg&w=3840&q=75)
[Studio Portrait: Man Holding Basket of Oysters?, Venice]
Unknown · 1860s–70s

The Rear View of a Mansion
Unknown, Italian · 1550-1600

The Italian Woman
Amedeo Modigliani · ca. 1918–19

Copy of Competition Design by Vanvitelli for the Facade of S. Giovanni in Laterano
Unknown, Italian · 1763, after a drawing of 1732

The Crucifixion
Master of the Codex of Saint George · ca. 1330–35

Three Designs for Embroidery Scissors
Unknown, Italian · early–mid-19th century

Mantel
Artist not stated in the record · ca. 1825–30

Stage Design: Palace Architecture
Unknown, Italian · 1700–1750

Paolo Giordano II Orsini, Duke of Bracciano
Johann Jakob Kornmann (called Cormano) · ca. 1632

Design for a Fountain
Unknown, Italian · 1650–1700
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 734 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 397370 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 02:27 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.