OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Vignette with Angels and Instruments of the Passion” — 64 records examined, 26 dropped by the rights gate.
Archives queried 2026-09-03 02:33 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Yashoda with the Infant Krishna
Artist not stated in the record · early 12th century
Vignettes with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Virgin and Child with Four Angels
Gerard David · ca. 1510–15
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
The Meditation on the Passion
Vittore Carpaccio · ca. 1490
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona · 1434
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Saddle
Artist not stated in the record · ca. 1400–1420
Vignettes with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Triptych with the Passion of Christ
Artist not stated in the record · ca. 1475–85
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Booklet with Scenes of the Passion
Artist not stated in the record · ca. 1300 (carving); ca. 1310–20 (painting)
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
Mirror Handle with a Woman Playing the Lute
Artist not stated in the record · 6th–7th century
Vignette with Angels and Instruments of the Passion
Artist not stated in the record · ca. 1715
The Adoration of the Magi
Italian, Neapolitan Follower of Giotto · ca. 1340–43
Three Angels with Instruments of the Passion
Fortunato Duranti, Italian, 1787 - 1863 · 1820–1850
Triptych with Scenes from the Passion of Christ
Master Pertoldus · 1494
Christ With the Instruments of the Flagillation Attended by Two Angels
Artist not stated in the record · ca. 1650-1670
The Love Song
Sir Edward Burne-Jones · 1868–77
Design for a Ciborium
Luigi Righetti, Italian, 1780 - 1819 · ca. 1812
The Harvesters
Pieter Bruegel the Elder · 1565
Project for a Fresco in the Dome of the Cathedral in Citta di Castello
Tommaso Maria Conca, Italian, 1734 – 1822 · 1789–90
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 545 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3248671 matched · 40 examined · 25 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 02:33 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.