OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Waistcoat front panels” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-08-28 09:10 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Waistcoat panel
Artist not stated in the record · early 18th century
Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Waistcoat front
Artist not stated in the record · late 18th century
Pair of side chairs
Thomas How · ca. 1724–36
Waistcoat front
Artist not stated in the record · 1780–95
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Textile
Artist not stated in the record · 1700–1750
Waistcoat front panels
Artist not stated in the record · 1760s
Waistcoat panel
Artist not stated in the record · late 18th century
Commode
Claude-Charles Saunier · ca. 1780–90
Waistcoat panels
Artist not stated in the record · 1750–1765
Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508–50)
Hans Wagner the Elder · dated 1539
Printed paisley velveteen waistcoat
Unidentified · 1840-1880
Commode
Bernard II van Risenburgh · ca. 1740–45
Waistcoat panels
Artist not stated in the record · ca. 1780
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Uncut waistcoat front
Artist not stated in the record · 1785–1795
Drop-front secretaire (secrétaire à abattant)
Jean-François Dubut · ca. 1760
Waistcoat panel
Artist not stated in the record · 1785–95
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads · probably early 16th century
Waistcoat, uncut
Artist not stated in the record · 1760–70
The Last Supper
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) · 1548
Waistcoat, uncut
Artist not stated in the record · 1780–95
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 937 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 28437 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 09:10 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.