Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Webster Brothers, active 1850s - 1860s” — 56 records examined, 8 dropped by the rights gate.
Archives queried 2026-09-02 05:15 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.![[29 Glass Stereographs], by Various](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP274710.jpg&w=3840&q=75)
[29 Glass Stereographs]
Various · 1850s–00s

William H. Carr
Webster Brothers, active 1850s - 1860s · c. 1864

Galerie Contemporaine, Littéraire, Artistique, v. 1 - 5
Goupil et Cie · 1876–1881

William Walker
Webster Brothers, active 1850s - 1860s · 1857

A Book Peddler
Master of the Canesso Peddler · ca. 1670–90

Giles Alexander Smith
Webster Brothers, active 1850s - 1860s · c. 1864

The Evacuation of Fort Sumter
Osborn's Gallery · April 1861

Jefferson Columbus Davis
Webster Brothers, active 1850s - 1860s · c. 1864

Madonna and Child with Angels
Pietro di Domenico da Montepulciano · 1420

Manning Ferguson Force
Webster Brothers, active 1850s - 1860s · c. 1865

Boating
Edouard Manet · 1874

Charles Robert Woods
Webster Brothers, active 1850s - 1860s · c. 1865

A Peasant Family
Antoine Le Nain · ca. 1640–48

Mortimer Dormer Leggett
Webster Brothers, active 1850s - 1860s · c. 1864

Too Hot, from "Illustrated London News"
James Collinson · February 28, 1863

William Thomas Ward
Webster Brothers, active 1850s - 1860s · c. 1865

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788)
Adélaïde Labille-Guiard · 1785

Alpheus Starkey Williams
Webster Brothers, active 1850s - 1860s · c. 1864

Inkstand
Artist not stated in the record · late 18th century

Francis Preston Blair Jr.
Webster Brothers, active 1850s - 1860s · c. 1865

Proposed Elevated Railroad Terrace for Broadway, New York
Samuel E. Brown, active c. 1840 - 1860 · 1854

Louis Jacques Mande Daguerre
Meade Brothers Studio, active c. 1840 - c. 1869 · c. 1860
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 16 matched · 16 examined · 6 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 201869 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 05:15 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.