Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Wood étagère from the Sugg McDonald House” — 64 records examined, 37 dropped by the rights gate.
Archives queried 2026-09-04 17:56 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Toilette of Venus
François Boucher · 1751

Wood étagère from the Sugg McDonald House
Artist not stated in the record · ca. 1880

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

Wood violin and bow from the Sugg McDonald house
Artist not stated in the record · ca. 1700-1900

Sickle Insert
Artist not stated in the record · ca. 1200–1080 BCE

Wood handled and metal leatherworking edger
Artist not stated in the record · ca. 1850-1900

Sickle Insert
Artist not stated in the record · ca. 1200–1080 BCE

Victrola phonograph from the Sugg McDonald house
Artist not stated in the record · 1927-1928

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

Wood leatherworking slicker (scraping tool)
Artist not stated in the record · ca. 1850-1900

Sickle Insert
Artist not stated in the record · ca. 1200–1080 BCE

In The Shadow of the Pines
Artist not stated in the record · 1901

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

Tobie, I Kind o’ Likes You
Artist not stated in the record · 1903

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

When The Moon Shines
Artist not stated in the record · 1904

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

Metal leatherworking riveter by Little Giant
Artist not stated in the record · ca. 1850-1900

Sickle Insert
Artist not stated in the record · ca. 1300–1080 BCE

Metal leatherworking gauge
Artist not stated in the record · ca. 1850-1900

Stitching pony belonging to and used by William Sugg
Artist not stated in the record · ca. 1850s

Etagere
Artist not stated in the record · 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 110 matched · 24 examined · 14 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1533086 matched · 40 examined · 23 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 17:56 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.