OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Model of a Renaissance Church” — 64 records examined, 22 dropped by the rights gate.
Archives queried 2026-09-05 07:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
Model of a Renaissance Church
Artist not stated in the record · 1600–1700
Hercules and the Erymanthian boar
Giambologna · Late 17th or 18th century
Model of a Baptistry or Church
Artist not stated in the record · 1782
Trotting horse
Giambologna · probably 1587–91
Stage Design, Church Interior
Artist not stated in the record · early 19th century
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Renaissance Monument in Benedictine Church, Fecamp, Normandy
Auguste-Pierre Sainte-Marie Famin, French, 1776 – 1859 · 1798
Baptism of Christ
Alessandro Algardi · second half of the 17th century
Studies after Paintings by Perugino and Alfonso Lombardo in Bologna; sixteenth-century monument, Bologna
Felice Giani, Italian, 1758–1823 · 1813–14
Plaque with the Virgin Mary as a Personification of the Church
Artist not stated in the record · ca. 800–825
Altar Design
D. Antoine Pierretz, French, active 1647 · 1647-55
David and Goliath
Francesco Fanelli · 17th century cast
Altar Design
D. Antoine Pierretz, French, active 1647 · 1647-55
Saint Matthew
Antonio Susini · 1596
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869-1870
Abduction of a Sabine Woman
Giambologna · model ca. 1579; cast possibly late 16th century
Standing Bedouin Figure with Knife Drawn
Frederic Edwin Church, American, 1826–1900 · 1869-1870
Trotting horse
Giambologna · 18th–19th century?
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869 - 1870
Virgin of the Immaculate Conception
Lorenzo Vaccaro · late 17th century
Standing Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869 - 1870
Farnese Hercules
Pietro da Barga · modeled ca. 1576; cast 17th century
Seated Bedouin Figure
Frederic Edwin Church, American, 1826–1900 · 1869-1870
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1456 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3856812 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 07:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.